What Makes this event different?
This unique comprehensive survey will be mounted in our massive stone Civil War‐era warehouse on the Red Hook waterfront in Brooklyn, NY. This is an Open call to all Glass Artists of all glass techniques – blown glass, kiln working, glass casting, flame, neon, stained glass, glass painting and glass etching. We are greatly honored to have as our juror Michael Endo, Chief Curator for Bullseye Glass Company, and Renee Radenberg as BWAC’s Curator of the space.
Copyright Policy
Copyright and all other rights remain that of the artist.
Image Usage Rights
Use Of Images: Any image submitted may be used for marketing and promotional purposes directly related to this show. This use may include publication in any publications, printed materials, advertisements, or electronic media.
Transparent as Glass? Art Show: Glass has been created and used by mankind from the ancient Egyptians. It is only recently, since mid 20th century, that glass has been acknowledged as an art form. It has wonderful physical properties - transparent or opaque - allowing one to see the illusion of space and depth, the constant play of positive and negative spaces. This causes a magical flow within the art, embodying fun, playfulness, and the spiritual energy of nature.
BWAC is seeking original artwork from glass artists working all glass techniques – blown glass, kiln working, casting, flame, neon, stained glass, glass painting and glass etching. The theme is to reflect glass as an art which results in 2‐Dimensional or 3‐Dimensional work.
Submission and Fees: Only original works may be submitted.
Early Bird Discount: (through midnight, February 4, 2020): $45 for up to three (3) images + $5.00/ea additional image.
Submissions between February 5 and midnight March 2, 2020: $65 for up to three (3) images + $5.00/ea additional image.
3-D Sculpture and installations: artists may use two (2) additional images for details, at no extra charge. Contact bwacjuriedshows@gmail.com if you need them.
All entries must be registered/received by midnight, March 2, 2020. All entry fees are non‐refundable.
