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Beyond Faces and Features | Win up to $500 Cash Prizes | 5th Portrait Juried Art Contest | 20th March 2025
The Gallery 4% is a digital gallery that aims to combine art and digitalization to blur geographical boundaries. Based out of San Francisco, we organize frequent art contests to promote deserving artists.
Call for Entry: Ship to Shore
This annual exhibition celebrates the enduring relationship between art and the sea Juror: Sergio Roffo, April 18 - May 29, 2025. Prizes: 1st Place: $500, 2nd Place: $250, 3rd Place: $125, Three Awards of Merit.
Monthly C4E Art Competition - March 2025
Add to FavoritesGet showcased by the C4E directory and get your artwork noticed by jurors, gallerists, and art organizations from around the world by winning a featured spot on the C4E home page and in our next newsletter!
"Emerging Artists” - FREE Entry, $1,000 Award Competition
Add to FavoritesCal for entries for artists. It is free to enter with a $1,000 Award. "Emerging Artists” online competition and virtual exhibition. Only artists whose work gets selected as finalists pay the participation fee.
❄️ WINTER * $1,800.00 Innovate Grants for Art + Photo
Add to FavoritesOPEN FOR SUBMISSIONS - WINTER 2025. Innovate Grant is excited to introduce our newly increased award amounts of $1,800.00. Innovate Grant awards (2) $1,800.00 grants each quarter, to one Artist and one Photographer.
16th Annual “Abstracts” Online Art Competition
Call for Entries from Light Space & Time Online Art Gallery. Submit your work for the 16th “Abstracts” Art Competition.
March PleinAir Salon Online Art Competition
Add to Favorites$50,000 in cash prizes are awarded each year by the PleinAir Salon Art Competition! The Annual Grand Prize winner takes home $15,000 and earns a featured cover spot in PleinAir Magazine.
Colors 2025 Art Competition
Call for Entries for 2D and 3D artists worldwide. Artists are invited to submit their best art and photography using a concentration of colors. One color or a multitude of colors meets the criteria for this competition.
